{"id":2891,"date":"2025-05-13T06:20:38","date_gmt":"2025-05-13T06:20:38","guid":{"rendered":"https:\/\/www.cremonacontemporanea.eu\/?p=2891"},"modified":"2025-05-30T13:08:50","modified_gmt":"2025-05-30T13:08:50","slug":"marta-pierobon","status":"publish","type":"post","link":"https:\/\/www.cremonacontemporanea.eu\/2025\/blog\/2025\/05\/13\/marta-pierobon\/","title":{"rendered":"MARTA PIEROBON"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/2025\/05\/Marta-Pierobon-@-Palazzo-Affaitati-1024x683.jpg\" alt=\"\" class=\"wp-image-3155\" srcset=\"https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/sites\/4\/2025\/05\/Marta-Pierobon-@-Palazzo-Affaitati-1024x683.jpg 1024w, https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/sites\/4\/2025\/05\/Marta-Pierobon-@-Palazzo-Affaitati-300x200.jpg 300w, https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/sites\/4\/2025\/05\/Marta-Pierobon-@-Palazzo-Affaitati-768x512.jpg 768w, https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/sites\/4\/2025\/05\/Marta-Pierobon-@-Palazzo-Affaitati-1536x1025.jpg 1536w, https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/sites\/4\/2025\/05\/Marta-Pierobon-@-Palazzo-Affaitati.jpg 1772w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Marta Pierobon, installation view at Palazzo Affaitati, Cremona Contemporanea | Art Week 2025, ph. Rossetti\/Chico<\/em><\/figcaption><\/figure>\n\n\n\n<p>L&#8217;opera di Marta Pierobon, presentata in anteprima assoluta in occasione di Cremona Contemporanea | Art Week 2025, rappresenta un progetto inedito che segna un\u2019ulteriore esplorazione di un medium mai utilizzato prima dall&#8217;artista. Pierobon \u00e8 infatti nota soprattutto per le sue sculture e per l\u2019utilizzo della ceramica, oltre che per i disegni, nei quali emerge un\u2019estetica che alterna riferimenti dichiaratamente femminili \u2013 spesso di matrice sensuale \u2013 a un&#8217;ironia sottile e costante nei confronti del reale. \u00c8 proprio questa combinazione tra ironia e delicatezza formale a definire in modo distintivo il suo linguaggio artistico.<\/p>\n\n\n\n<p>Per questa edizione abbiamo voluto affidarle uno dei progetti pi\u00f9 significativi del programma, non solo per la sua importanza concettuale, ma anche per l\u2019impatto visivo che l\u2019opera avr\u00e0 sul percorso espositivo: si tratta infatti di un gonfiabile in plastica dalle dimensioni monumentali \u2013 8 metri di altezza per oltre 4 di larghezza. Un\u2019opera che si distingue sia per la scala che per l\u2019uso del nuovo medium, trasformando radicalmente l\u2019approccio scultoreo dell\u2019artista. L\u2019aspetto ludico e ironico \u00e8 una delle chiavi fondamentali per fruire questa nuova grande scultura.&nbsp;<\/p>\n\n\n\n<p>L\u2019installazione sar\u00e0 collocata all&#8217;interno del meraviglioso cortile di Palazzo Affaitati, luogo di grande fascino e carico di suggestioni, che amplifica l\u2019impatto poetico e visivo dell\u2019opera. Il progetto nasce dal desiderio di \u201criattivare\u201d una delle sue sculture architettoniche, parte di una recente serie in cui Pierobon sperimenta forme che sembrano sbucare da un mondo immaginario: architetture irregolari, giocose, coloratissime e volutamente imperfette, sempre diverse tra loro, in bilico tra il reale e il fantastico. Una di queste prende ora corpo in grande scala, trasformandosi in un oggetto che richiama l\u2019estetica del gioco infantile \u2013 come quelli che si trovano nei playground \u2013 ma che, in realt\u00e0, \u00e8 un\u2019opera d\u2019arte a tutti gli effetti. Durante la Art Week, sar\u00e0 possibile anche interagire fisicamente con l\u2019installazione, offrendo un\u2019esperienza immersiva e partecipativa unica nel suo genere.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"1024\" src=\"https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/2025\/05\/Marta-Pierobon-@-Palazzo-Zaccaria-Pallavicino-Fasa-Archietti-1-720x1024.jpg\" alt=\"\" class=\"wp-image-3225\" srcset=\"https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/sites\/4\/2025\/05\/Marta-Pierobon-@-Palazzo-Zaccaria-Pallavicino-Fasa-Archietti-1-720x1024.jpg 720w, https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/sites\/4\/2025\/05\/Marta-Pierobon-@-Palazzo-Zaccaria-Pallavicino-Fasa-Archietti-1-211x300.jpg 211w, https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/sites\/4\/2025\/05\/Marta-Pierobon-@-Palazzo-Zaccaria-Pallavicino-Fasa-Archietti-1-768x1092.jpg 768w, https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/sites\/4\/2025\/05\/Marta-Pierobon-@-Palazzo-Zaccaria-Pallavicino-Fasa-Archietti-1-1080x1536.jpg 1080w, https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/sites\/4\/2025\/05\/Marta-Pierobon-@-Palazzo-Zaccaria-Pallavicino-Fasa-Archietti-1.jpg 1181w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\"><em>Marta Pierobon, installation view at Palazzo Zaccaria Pallavicino &#8211; FasArchitetti, Cremona Contemporanea | Art Week 2025, ph. Rossetti\/Chico<\/em><\/figcaption><\/figure>\n\n\n\n<p>Accanto al grande progetto installativo, l\u2019artista \u00e8 presente anche in un\u2019altra tappa di Cremona Contemporanea | Art Week, dove espone una scultura in ceramica di medie dimensioni, ancora una volta legata al tema dell\u2019architettura. In questo caso, per\u00f2, le forme indagate si avvicinano a motivi ricorrenti nel suo lavoro, come il corpo e la figura femminile, rielaborati attraverso la consueta cifra ironica e simbolica che caratterizza la sua produzione. Questa \u201cpresenza\u201d ceramica sar\u00e0 ospitata nello spazio di FasArchitetti, una delle tappe ormai consolidate della manifestazione.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;opera di Marta Pierobon, presentata in anteprima assoluta in occasione di Cremona Contemporanea | Art Week 2025, rappresenta un progetto inedito che segna un\u2019ulteriore esplorazione di un medium mai utilizzato prima dall&#8217;artista. Pierobon \u00e8 infatti nota soprattutto per le sue sculture e per l\u2019utilizzo della ceramica, oltre che per i disegni, nei quali emerge un\u2019estetica [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-2891","post","type-post","status-publish","format-standard","hentry","category-uncategorized-it"],"acf":{"testo_eng":"<span style=\"font-weight: 400;\"><img class=\"alignnone size-full wp-image-3155\" src=\"https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/2025\/05\/Marta-Pierobon-@-Palazzo-Affaitati.jpg\" alt=\"\" width=\"1772\" height=\"1182\" \/><\/span>\r\n\r\n<em>Marta Pierobon, installation view at Palazzo Affaitati, Cremona Contemporanea | Art Week 2025, ph. Rossetti\/Chico<\/em>\r\n\r\n<p><span style=\"font-weight: 400;\">The work of Marta Pierobon, presented for the first time during Cremona Contemporanea | Art Week 2025, marks a completely new project and a bold exploration of a medium the artist has never used before. Pierobon is best known for her sculptures and ceramic works, as well as her drawings, in which a delicate aesthetic emerges\u2014often alternating overtly feminine references, frequently of a sensual nature, with a subtle and ever-present irony toward reality. It is precisely this combination of irony and formal delicacy that defines her artistic language in a unique way.<\/span><\/p>\r\n\r\n<p><span style=\"font-weight: 400;\">For this edition, we entrusted her with one of the most significant projects in the program, not only for its conceptual weight but also for the visual impact it will have on the exhibition itinerary: a monumental inflatable sculpture made of plastic\u2014eight meters tall and over four meters wide. The scale of the piece and the use of a new medium radically transform the artist\u2019s sculptural approach. The playful and ironic character of the work is one of the key entry points for experiencing this large-scale sculpture.<\/span><\/p>\r\n\r\n<\/p><span style=\"font-weight: 400;\">The installation will be placed in the stunning courtyard of Palazzo Affaitati, a site rich with charm and atmosphere, amplifying the poetic and visual impact of the piece. The project was born from the desire to \u201creactivate\u201d one of her architectural sculptures, part of a recent series in which Pierobon experiments with forms that seem to emerge from an imaginary world: irregular, playful, colorful, and deliberately imperfect architectures, always different from one another, suspended between the real and the fantastical. One of these forms now takes on monumental scale, transforming into an object reminiscent of children\u2019s playground structures\u2014but which, in reality, is fully a work of art. During the Art Week, the public will also be able to physically interact with the installation, offering a unique immersive and participatory experience.<\/span><\/p>\r\n\r\n<img class=\"alignnone size-full wp-image-3225\" src=\"https:\/\/www.cremonacontemporanea.eu\/2025\/wp-content\/uploads\/2025\/05\/Marta-Pierobon-@-Palazzo-Zaccaria-Pallavicino-Fasa-Archietti-1.jpg\" alt=\"\" width=\"1181\" height=\"1680\" \/>\r\n\r\n<em>Marta Pierobon, installation view at Palazzo Zaccaria Pallavicino - FasArchitetti, Cremona Contemporanea | Art Week 2025, ph. Rossetti\/Chico<\/em>\r\n\r\n<p>Alongside the large-scale installation project, the artist is also featured in another stop of Cremona Contemporanea | Art Week, where she presents a medium-sized ceramic sculpture, once again linked to the theme of architecture. In this case, however, the forms explored draw closer to recurring motifs in her work, such as the body and the female figure, reinterpreted through the distinctive ironic and symbolic language that characterizes her practice. This ceramic \u201cpresence\u201d will be hosted in the space of FasArchitetti, one of the now well-established venues of the event.<\/p>","pdf_artista":"","location":[299,320]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MARTA PIEROBON - Cremona Contemporanea | Art Week - ed. 2025<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cremonacontemporanea.eu\/2025\/blog\/2025\/05\/13\/marta-pierobon\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MARTA PIEROBON - Cremona Contemporanea | Art Week - ed. 2025\" \/>\n<meta property=\"og:description\" content=\"L&#8217;opera di Marta Pierobon, presentata in anteprima assoluta in occasione di Cremona Contemporanea | Art Week 2025, rappresenta un progetto inedito che segna un\u2019ulteriore esplorazione di un medium mai utilizzato prima dall&#8217;artista. 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